By positioning the mouse over the bar, you can scroll the mouse wheel to expand and contract the bar. By dragging the center of the bar, you can scroll the visible part of a time ruler without changing its scale. When you drag the bar, you are not moving the playhead. However, you can move the bar and then click in the time ruler to move the playhead to the same area as the bar.
Gestures for macOS are supported for the zoom scroll bar. Navigate in a sequence. To position the playhead in the timeline panel, do any of the following:. In the time ruler, drag the playhead or click where you want to position the playhead. Drag in the Playhead Position. Use any playback control in the Program Monitor.
To move the playhead in the direction you want, press the Left Arrow or Right Arrow key. Shift while pressing the arrow keys to move in increments of five frames.
Omit leading zeros. For example, 0;0;12;3 becomes 00;00;12; Enter values that exceed the normal values. For example, with fps timecode, where the playhead is at 00;00;12; If you want to move 10 frames ahead, you can change the frame number to 00;00;12; The playhead moves to 00;00;13; A plus sign or minus sign before a number moves the playhead ahead or back a specified number of frames.
Add a period. A period before a number specifies an exact frame number, rather than its timecode value. For example,. To snap to clip edges and markers, shift-drag the playhead in a Timeline panel.
To zoom into or out of a sequence in the timeline, do one of the following:. To zoom out, press -. To zoom in, select the zoom tool. Click or drag a marquee selection around the part of the sequence you want to see in more detail. Use the zoom scroll bar. To zoom in, drag the ends of the viewing area bar closer together. To zoom out, drag them farther apart. You can pinch to zoom the Multi-Touch trackpad to zoom in and out of the sequence.
To zoom in to the view you had before pressing the backslash key, press the backslash key again. Scroll the mouse wheel. Use the Page Up key to move left and the Page Down key to move right. Drag the zoom scroll bar at the bottom of the Timeline panel left or right. On Apple MacBook Pro computers, move two fingers horizontally on the Multi-Touch trackpad to navigate the sequence horizontally.
In the right of the Timeline panel drag up or down in the scroll bar. On Apple MacBook Pro computers, move two fingers vertically on the Multi-Touch trackpad to navigate the sequence vertically. Work with tracks. Add tracks. In the Add Tracks dialog box, do any of the following:. To add the number of tracks you want, enter a number in the Add field for video, audio, and audio submix tracks.
To specify the placement of added tracks, choose an option from the Placement menu for each type of track added. To specify the type of audio or submix track you want to add, choose an option from the Track Type menu. For more about audio channel types, see Audio tracks in a sequence. Click OK. Delete tracks. You can delete one or more tracks at a time, whether video or audio. In the Delete Tracks dialog box, check the box for each type of track you want to delete. For each checked item, specify which tracks you want to delete in its menu.
Rename a track. To rename a track, do the following:. Sync Lock to prevent changes. Do one of the following:. To enable Sync Lock for selected tracks, click the Toggle Syn Lock icon at the head of each video and audio track you want to lock. To enable Sync Lock for all tracks of a particular type video or audio , Shift-click the Toggle Sync Lock icon at the head of any track of that type. Track Lock to prevent changes. You can lock a track to prevent it from shifting when you perform insert edits.
To enable Track Lock for selected tracks, click the Toggle Track Lock icon at the head of each video and audio track. To enable Track Lock for all tracks of a particular type video or audio , Shift-click the Toggle Track Lock box at the head of any track of that type.
Exclude tracks in a sequence. Tint wheels. Set track display. Expand and resize a track. Collapsed tracks always appear at the same height and cannot be resized. Resize the track header section.
Set the display style of a track. Expand the track by double clicking on it. Create a sequence. Viewing time: 58 seconds. Sequence presets and settings.
Sequence Presets options. Selecting a sequence preset. Create a custom sequence preset. Name the preset and add a description. Click OK to save the preset. Change sequence settings. Sequence settings. Editing Mode Editing mode determines the video format used for preview files and playback. Timebase Timebase specifies the time divisions that Premiere Pro uses to calculate the time position of each edit. Video Frame Size Frame size specifies the dimensions, in pixels, for frames when you play back sequences.
In most cases, the frame size of your project matches the frame size of your source files. Do not change the frame size to compensate for slow playback. Instead, choose a different quality setting from the Project panel menu. Alternatively, you can adjust the frame size of final output by changing export settings. The maximum frame size for a sequence is 10,x8, Scale motion effects proportionally when changing frame size This allows the user to scale the motion effect while changing sequences.
A very common film workflow involves sequences having black bars on the top and bottom. Project data like timecode or clip name are displayed in these black bars. When this information is not required, you can alter the sequence without damaging the clip.
Pixel Aspect Ratio Pixel Aspect ratio sets the aspect ratio for individual pixels. Choose Square Pixels for analog video, scanned images, and computer-generated graphics, or choose the format used by your source. If you use a pixel aspect ratio different from the pixel aspect ratio of your video, the video often gets rendered with distortion.
Fields Fields specify the field order of a frame. If you work with progressive-scan video, select No Fields Progressive Scan. Many capture cards capture fields regardless of whether the source footage was shot with progressive scan. Display Format Premiere Pro can display any of several formats of timecode.
You can display the project timecode in a film format. For example, if you are editing footage captured from film. You can display timecode in simple frame numbers if your assets came from an animation program.
You can make these arrangements either preemptively or after your footage has already been imported. In the second case, you can try dragging a clip into an existing sequence in order to get a lay of the land. Premiere's Clip Mismatch Warning will appear if the clip does not match your default sequence settings. You will be asked if you would like this sequence to conform to the properties of your footage. Hit Always Ask if this checkpoint is helpful to you on a regular basis.
For most video projects, this will be a safe place to begin. For more advanced projects, however, your needs may vary. Sequence presets are Adobe's way of compartmentalizing these specifications so that they can be used quickly and freely throughout your project pipeline. After a sequence has already been created, Premiere will prevent you from changing some attributes, such as your timebase settings. Your timebase settings determine the rate at which the footage will be played back to you within the program—locking these settings ensures that no technical hiccups interrupt your workflow.
For this reason, it's a good idea to already know what you need before selecting a preset. You will be asked to choose one any time that you create a new sequence. Let's say that you're starting a new project. Open up Premiere and create one. Your video and audio clips can sit side by side in a sequence or they can overlap and stack on top of multiple layers in a sequence. You can create multiple sequences for each project and customize the settings for each of these sequences.
Premiere Pro is also smart enough to match the exact settings of your existing footage if you aren't sure - I'll show you how in a minute. It's the easiest and most straightforward. Use it when you know your footage settings will match your final video settings. If you want to see all the options available to your new sequence so you can manually adjust any settings. It gives you full control over your settings if you want to make any adjustments or create a new sequence setting preset.
It's the easiest and will automatically create a sequence that matches the settings of the footage you drag into the box. While creating your new sequence, you may have noticed the following sequence settings window pop open. If you didn't, that simply means that Premiere Pro matched the settings of the footage you dragged into your timeline to create your sequence.
Ninety percent of the time, the easiest method is to allow Premiere Pro to match your sequence settings to your existing footage and not worry about the gritty details in this first window. Unless you have a specific setting in mind or you're having some other issue that you're trying to solve, you can simply skip down to the next section to learn about how to do this.
In that case, let's cover all the options in this window and narrow down exactly what is best for your video project. There are three main areas of settings that matter to us: resolution, dimensions, and frame rate. Before you can answer that question, you need to know exactly what settings you'll want your output video to be. We want to match our sequence settings to the settings of our final exported video.
Regardless of the settings your footage was shot in, you'll want to set your sequence to match the settings that you'd like for your final video. Then we can tweak the footage to fit our settings in the sequence as we edit. Let's walk through this menu and discuss some of the most common settings you'll probably want to consider.
Step 1 : Hit command-n on mac or control-n on pc to open up the sequence settings window. In my opinion Step 3 : Navigate to ' Settings ' in the upper tabs to see more options for your sequence. Here you'll see where you can change any specific option for this 4K preset. I am happy to leave it all as is. Match yours to what you see here if it isn't already. You can also save this preset for future use by hitting ' Save Preset ' just above the sequence name.
Step 4 : Make sure to rename your sequence at the bottom. Ideal course for engineers who are interested in mastering and getting certified in Terraform. Highest trending technology and essential certification for any DevOps professional to elevate DevOps career.
In Adobe premiere pro allows you to trim clips and assemble clips in sequences, with specifying settings for each sequence. Each Adobe Premiere Pro project can also have one or more sequences and each sequence in a project can also have different settings.
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